Chandelier "Seating" Crystals

Making beautiful letters on paper is one thing, but making them on chandelier crystals brings calligraphy to a whole new dimension! From a 2007 wedding that was planned by Lisa Gorjestani of Details Event Planning, these crystals were presented on a chandelier for guests to find their seating assignment.

Fresh From The Archives

Just yesterday I found a wicker basket tucked away that held a couple of cute little dishes I was asked to hand letter on a few years ago. They were originally for a layout in Brides magazine and were later published in Maria McBride-Mellinger's book The Perfect Wedding Details. Here they are filled with confetti, but what would you fill them with to make the perfect wedding favour for your guests?

Containers : Industrial Plastics

Happy May Day!

One of my fondest memories of when I was a child is May Day. My mum and I gathered flowers from our garden, wrapped them in a paper cone and tied them with a pretty ribbon. When we were done we took them round to our friends. Since I was little and quick it was my task to hang the posies on their front door, ring the bell and run!

Although that time is now gone, here is my May Day bouquet for you with wishes for a lovely day!

Calligraphic Cross-Training


There’s much talk in the calligraphic world about freedom vs. discipline — and mini-battles sometimes take place between those who advocate disciplined, legible work and those who prefer expressive, abstract and/or illegible work.

It seems to me that calligraphers — more than most artists — are like athletes. Our work depends on years of disciplined practice, but comes down to “a performance”, a given moment when tool touches down on paper, vellum or canvas. A crucial moment because ink is indelible. Too loose and we make a mess. Too tight and the performance appears strained.

So, like athletes, are we not wise to cross-train? Like a runner who lifts weights, we can retain freshness, balance and longevity if we vary our workouts. Sometimes, a disciplined workshop where we focus on form, later a crazy experiment which may or may not work. Always, at the end, a bit of analysis of what worked and what didn’t.

Yes, there is the risk of the inexperienced calligrapher who might “injure” themselves by flourishing long before they have the skill to pull it off, just as a runner might strain a muscle. It will set back their career, leave them floundering for a bit. But it is also part of the process of learning to find the sweet spot where spontaneity meets control and the results soar.

Welcome to Calligraffia



A team of our friends down under are launching a new calligraphy blog, Calligraffia which will feature “calligraphy news, views, reviews, interviews & how-tos” from around the globe.

Their launch today, February 13th, coincides with the first anniversary of the Apology to Australia’s Indigenous Peoples, and the first posting is an interview (by blogger, Rhonda Ayliffe) with calligrapher, Gemma Black, who scribed the motion for the Australian Parliament — an interesting read.

Canada’s Golden Book



Like my Grandmother, and others who love to entertain, Canada has a guestbook. It is called “Canada’s Golden Book” and is signed by visiting heads of state. A page for a visiting dignitary includes a illumination of their national flag, their name and date of the visit. (Apologies that I don’t have better quality photos.) When I was in Ottawa last November, I met one of the scribes who has done many of the inscriptions, Judith Jaimet Bainbridge. Judith’s clients have included the Chancellery of Canadian Orders and Decorations, The Heraldry Authority of the Governor-Gerneral, the Department of Foreign Affairs and the Office of the Secretary of State. Her work graces the Merchant Navy Book of Remembrance and the document granting the Coat of Arms of the Territory of Nunavut.

Judith’s work on Canada’s Golden Book started with the entry for Bill and Hillary Clinton and ended with the 50th anniversary for Queen Elizabeth. She’s now retired, and spending her time with other interesting projects. In March, she’ll be coming here to Victoria to give a presentation and two-day workshop for members of the Fairbank Calligraphy Society. We eagerly anticipate her arrival!

Psst. And a little bird tells me that Canada’s Golden Book is being prepared for the first visit of President Barack Obama by calligrapher, Karen Mackay and heraldic artist, Debra Macgarvie.

Sunshine from Susan Richardson


In the midst of a cold Canadian winter, it is nice to travel, mentally, to sunnier climes. I can get a shot of warmth looking at the work of SanDiego-based artist and calligrapher, Susan Richardson. Susan and I sat side-by-side at the Island Magic Conference in 2007, and she is as warm and interesting as her work. She’s recently updated her website and added an online store where she sells giclee prints at very reasonable prices! Enjoy!